| WOBURN MUSIC - THEORY RESOURCES | ||||||||||||||||
| GRADE 10 | ||||||||||||||||
| MINOR SCALES
The scales for D major and D minor sound quite different, even though each begins and ends on D. Yet they require different key signatures. We know about D major's key signature from grade 9, but how about D minor? We can think of minor keys as relative minors of major keys. To find a relative minor of a major key, go three note-names down (or a minor third, if you like.) Thus, the relative minor of C major is A minor. Here's a list. 0 1 2 3 4 5 6 7
There are 3 types of minor scales: natural, melodic and harmonic. To create a natural minor scale, write the key signature followed by
the scale from tonic to tonic (i.e., in D- start and end on D).
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| INTERVALS AND THEIR INVERSIONS
What is an interval? Simply put, it is a distance between two notes.
There are 2 kinds: harmonic (where the 2 notes are played together) and
melodic, played separately.
Let's look at this interval: To find the number of an interval, simply count the note names.
E, F, G, A, B, C. Six.
There are several kinds of intervals: major, minor, perfect, augmented, and diminished. We'll get to this later. To find the quality of the interval depends on the key we are in. You
might get a key signature, as above, or you might have accidentals. There
may be nothing at all... In any case consider the bottom note as the tonic
(or first note) of a theoretical key. Here (and here's an example with
no key signature) we have E as the tonic and consider E + as the key.
If we wanted to have a major sixth, and had no key signature, we could do this, alone:
There are also augmented intervals. Let's make an augmented sixth: in this case, because the key signature includes C sharp, we have to add another sharp (C double sharp, represented by an x).
Although the augmented sixth sounds like a 7th, it isn't, because the notes are still written as E and C. A diminished 6th is a semitone down from a minor sixth: here, we only have to use one flat (because the note itself is C natural) but in some cases would have to use 2.
Just for fun, the sequence of accidentals goes like this:
How do you find the key or keys that contain a given interval?
INVERSIONS
The figure at right shows how it has been inverted: the E from the bottom has shifted so that it is now in the first E spot above the old top note. You will note that it has formed a third. When you invert intervals,
(see example above.)
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